A | B | C | D | E | F | |
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1 | Field notes | |||||
2 | SP16_Ndungu_Gold Recipes | |||||
3 | ||||||
4 | Legend - Form of Gold | Meaning | ||||
5 | Gold Color | references to gold color used in painting and metal varnishes | ||||
6 | Gold Leaf | references to gold leaf. Occasionally this is inferred from description of the technique | ||||
7 | Ambigious Gold | when author-practitioner does not reference the form of the gold | ||||
8 | Pure Gold | includes the explicit ‘pure gold’ and when gold is mentioned in casting techniques | ||||
9 | Goldsmith | references to the profession, tools, and materials of goldsmithing | ||||
10 | ||||||
11 | Entry title translation | Folio # | Notes | Form of Gold, color, leaf, foil, filings | Gallica link / notes | |
12 | 1 | Bronzing in Yellow and White | p005v | |||
13 | 2 | To lay down and set burnished gold and give red and green or blue | 6r | Use this one to compare to the Zazera recipe with candi sugar. | Gold Leaf | http://gallica.bnf.fr/ark:/12148/btv1b10500001g/f17.image |
14 | 3 | to gild with gold color and tinsel | 7r | Gold Leaf | http://gallica.bnf.fr/ark:/12148/btv1b10500001g/f19.image | |
15 | 4 | To relieve the pain of gonorrhea | 7v | golden and yellow marcasite | Ambigious Gold | http://gallica.bnf.fr/ark:/12148/btv1b10500001g/f20.image |
16 | 5 | gold lettering on paper | 8r | "Apply the gold in leaf" | Gold Leaf | http://gallica.bnf.fr/ark:/12148/btv1b10500001g/f21.image |
17 | 6 | ground gold and silver | 8v | Doesn't actually say what the use of this ground gold would be. | Pure Gold | http://gallica.bnf.fr/ark:/12148/btv1b10500001g/f22.image |
18 | 7 | Imitation jasper | 10r | apply gold and silver leaves... used to make marbled jasper | Gold Leaf | http://gallica.bnf.fr/ark:/12148/btv1b10500001g/f25.image |
19 | 8 | For painting in oil on taffeta without the oil running | 10v | "...which will also serve for a layer of gold..." | Ambigious Gold | http://gallica.bnf.fr/ark:/12148/btv1b10500001g/f26.image |
20 | 9 | layer of gold leaf on parchment or paper | 10v | Gold Leaf | http://gallica.bnf.fr/ark:/12148/btv1b10500001g/f26.image | |
21 | 10 | cleaning gold leaf that has been applied to iron | 10v | Gold Leaf | http://gallica.bnf.fr/ark:/12148/btv1b10500001g/f26.image | |
22 | 11 | Applying the color of Damascene steel on knives | 11v | "do with the gold and silver as you would do on a touchstone" | Ambigious Gold | http://gallica.bnf.fr/ark:/12148/btv1b10500001g/f28.image |
23 | 12 | Applying unpolished gold | 11v | Ambigious Gold | http://gallica.bnf.fr/ark:/12148/btv1b10500001g/f28.image | |
24 | 13 | Paper | 12r | "border of gold" | Ambigious Gold | http://gallica.bnf.fr/ark:/12148/btv1b10500001g/f29.image |
25 | 14 | Cleaning yellow pearls | 12v | goldsmith bouture | Goldsmith | http://gallica.bnf.fr/ark:/12148/btv1b10500001g/f30.image |
26 | 15 | To whiten enilanroc | 12v | goldsmiths forge | Goldsmith | http://gallica.bnf.fr/ark:/12148/btv1b10500001g/f30.image |
27 | 16 | casting gold and silver | 15r | Pure Gold | http://gallica.bnf.fr/ark:/12148/btv1b10500001g/f35.image | |
28 | 17 | tablets | 15v | Ambigious Gold | http://gallica.bnf.fr/ark:/12148/btv1b10500001g/f36.item | |
29 | 18 | Stamping | 15v | Ambigious Gold | ||
30 | 19 | stucco for molding | 29r | you will be able to paint and furnish them with gold | Ambigious Gold | |
31 | 20 | color of gold without gold | 29v | Gold Color | ||
32 | 21 | brown gold layer | 29v | "your gold will turn brown very well" "Fais ton assiete d'amydon destrempe en eau & ton or se brunira fort bien" | Ambigious Gold | |
33 | 22 | layer of gold | 29v | gold only in the title not the recipe | Gold Color | |
34 | 23 | Dragons blood | 29v | apply it on the gold | Ambigious Gold | |
35 | 24 | To lay down gold in distemper | 32r | Gold Leaf | ||
36 | 25 | Founders | 32v | side note: gold, silver, copper, leton, iron | Pure Gold | http://gallica.bnf.fr/ark:/12148/btv1b10500001g/f70.image |
37 | 26 | For melting or transforming a jewel placed in a box | 34v | magic trick: Gold powder | http://gallica.bnf.fr/ark:/12148/btv1b10500001g/f74.image | |
38 | 27 | To make a ball change into a fine thimble | 36r | magic trick: goldibus powder | http://gallica.bnf.fr/ark:/12148/btv1b10500001g/f77.image | |
39 | 28 | Goldsmith | 39r | Goldsmith | ||
40 | 29 | Dyers woad | 39r | golden mold-lik veins | Gold Color | |
41 | 30 | Enamel | 39v | pistolet gold | Pure Gold | http://gallica.bnf.fr/ark:/12148/btv1b10500001g/f84.image |
42 | 31 | Tracing a story on glass | 39v | |||
43 | 32 | Tracing a story on glass | 39v | goldsmiths gild the whole glass, both goldsmith and gilding | Goldsmith | http://gallica.bnf.fr/ark:/12148/btv1b10500001g/f84.image |
44 | 33 | Vermeilles buttons | 40r | The enamel is gild with gold leaf | Gold Leaf | http://gallica.bnf.fr/ark:/12148/btv1b10500001g/f85.image |
45 | 34 | Cross of the commanders of Malta | 40v | Goldsmith | ||
46 | 35 | Colors and gilt on glass | 41v | (saffron, gold without gold) - talks about gold leaf but also includes a gold without gold recipe | Gold Color | |
47 | 36 | Wax for seals and stamps | 42r | color them in gold | Gold Color | |
48 | 37 | Crucibles | 47r | Pure Gold | http://gallica.bnf.fr/ark:/12148/btv1b10500001g/f99.image | |
49 | 38 | cast | 47v | Pure Gold | http://gallica.bnf.fr/ark:/12148/btv1b10500001g/f100.image | |
50 | 39 | The work done in Algiers | 52r | Gold Leaf | ||
51 | 40 | To paint | 56v | Its a bit later maybe in the notes on page57r - there is a variety of types of gold mentioned | Gold Color | http://gallica.bnf.fr/ark:/12148/btv1b10500001g/f119.image |
52 | 41 | Flesh color | 65r | in a note matte gold | Ambigious Gold | http://gallica.bnf.fr/ark:/12148/btv1b10500001g/f135.image |
53 | 42 | Greasy colors | 65r | note | Gold Color | http://gallica.bnf.fr/ark:/12148/btv1b10500001g/f135.image |
54 | 43 | Glazing | 65v | cocon - gold leaf ground 32r potential secret? | Gold Leaf | |
55 | 44 | Printing | 65v | Gold Color | ||
56 | 45 | Colors in oil that are absorbed | 66r | gold colr be laid thickly because | Gold Color | |
57 | 46 | To gild painting mouldings with matte gold | 66r | discusses both gilded and matte gold | Gold Color | NOTE: matte gold |
58 | 47 | Matte gold | 66r | discusses both gilded and matte gold | Gold Color | |
59 | 48 | For degreasing bone or horm | 73r | "goldsmith's pot of water" - it seems he has a lot of goldsmith tools handy | Goldsmith | |
60 | 49 | To make bronze with a gold color | 73r | For a gold color but in metals not actually a pigment | Gold Color | |
61 | 50 | Ground gold | 75r | |||
62 | 51 | Gilding wood | 75v | glue then yellow gold | Pure Gold | |
63 | 52 | Gilding with ground gold | 75v | |||
64 | 53 | To make a very beautiful and inexpensive golden color | 76v | Gold Color | ||
65 | 54 | To make bronze the color of gold | 78v | On sheet with other bronze colors recipes | Gold Color | |
66 | 55 | Making gold colored bronze | 79r | Gold Color | ||
67 | 56 | Burnisher | 94r | grip of gold - is this gold thread or is only tthe silver thread? | Pure Gold | |
68 | 57 | Grey hilts | 96v | talking about traits of gold and silver | Pure Gold | |
69 | 58 | Gilding | 97r | Still concerned with the coloring of hilts | Gold Leaf | |
70 | 59 | Gilding with silver | 97r | Gold Leaf | ||
71 | 60 | Locksmith | 98r | tin becoming golden | Gold Color | |
72 | 61 | To gilt frames paintings without gold | 99v | orpiment based...shines like gold | Gold Color | |
73 | 62 | Gold color | 100r | matte gold | Gold Color | |
74 | 63 | For ruby take some gold leaf | 100v | most of the page, uses a number of "some say" phrases that suggest that he hasnt done this one | Gold Leaf | |
75 | 64 | Topaz | 101r | Gold Leaf | ||
76 | 65 | Hyacinth | 101v | Made like rubies but with less heat | Gold Leaf | |
77 | 66 | Painting on crystal or glass | 102v | Gold Leaf | ||
78 | 67 | Corroding and dissolving absolutely pure gold | 104r | Gold Leaf | ||
79 | 68 | Good mixture to color gold | 104r | Pure Gold | ||
80 | 69 | How to silver plate copper and latten | 104r | Pure Gold | ||
81 | 70 | Goldsmith | 104v | Profession according to Cotgrave | Goldsmith | |
82 | 71 | To Cast | 106r | asphalt from germany - sand | Pure Gold | |
83 | 72 | Making gold run for casting | 106r | crocum ferri is good for gold (iron?) here there is a bit about the nature of gold | Pure Gold | |
84 | 73 | Casting in gold | 106v | a bit about crocum ferri again | Pure Gold | |
85 | 74 | Catching lizards and snakes | 107r | gold casting | Pure Gold | NOTE: crocum ferri attracts gold? |
86 | 75 | To hold the cores... | 107r | just read entire page, "gold and silver" | Pure Gold | |
87 | 76 | Spalt (non title) | 107r | casting material, whitish stone good for casting sand, names specific metals that would be useful | Pure Gold | |
88 | 77 | Spalt (title) | 108r | Pure Gold | ||
89 | 78 | Stone Alum | 108v | Goldsmith | ||
90 | 79 | Lizards | 111v | casting metal | Pure Gold | |
91 | 80 | Wetting sand and molding the first cast | 113r | gold or silver | Pure Gold | |
92 | 81 | Note about everything above said | 115r | reheating casts for gold and silver | Pure Gold | |
93 | 82 | Casting gold and silver | 116r | Pure Gold | ||
94 | 83 | A way to enamel very fine gold rose leaves and others | 116r | Gold Leaf | ||
95 | 84 | Tin or lead mixture | 116v | note: just mentions as a comparison to casting with lead or tin | Pure Gold | |
96 | 85 | Daisies | 117v | good material to cast daisies, compares to using gold leaf for enamel | Pure Gold | |
97 | 86 | Sal ammoniac | 118r | good for casting in gold and silver, just mentioe | Pure Gold | |
98 | 87 | Casting in a box mold | 118v | note...to heat is to redden the box mold which is done for gold and for silver | Pure Gold | |
99 | 88 | Way to rework spat | 119v | some stuff about germany maybe? | Pure Gold | |
100 | 89 | Excellent secret to mould in hollow and very delicate in fine gold | 119v_2 | Gold Leaf | ||
101 | 90 | Sand for casting gold | 120r_a2 | Mentions gold for casting obviously, but note includes profession | Goldsmith | |
102 | 91 | Keeping dried flowers in good condition year round | 120v | goldsmith | Goldsmith | |
103 | 92 | Keeping fruit over a year | 121r | goldsmith | Goldsmith | |
104 | 93 | Casting in silver | 121v | note: sal armoniac is friend with gold and silver!!! Brass is the enemy of gold and the friend of silver | Pure Gold | |
105 | 94 | Silver [used] to cast | 121v | goldsmith | Goldsmith | NOTE: how to get silver run |
106 | 95 | Molding medals and flat things | 122v | ?? | ||
107 | 96 | How to make argenta run | 123r | gold coins into your mouth read all of 123r | Pure Gold | |
108 | 97 | Noyaulx for molding hollow | 124r | gold and silver animals cast hollow to avoid heaviness and cost | Pure Gold | |
109 | 98 | Fine Gold | 124r | perhaps tenuous gold? | Pure Gold | |
110 | 99 | Rouge clair enamel | 124v | pure gold does not work well with enamel...pistolet coins work better | Goldsmith | |
111 | 100 | Casting gold | 124v | read all of this for the properties of gold | Goldsmith | |
112 | 101 | Crocum ferri | 126v | used to cast in gold | Pure Gold | |
113 | 102 | Casting with gold and silver | 128r | ... gregory champeaud note on capital league.. | Pure Gold | |
114 | 103 | Whitening of cast silver | 128v | note on mixtures which color gold | Pure Gold | |
115 | 104 | Adorning beds, mirrors and similar things | 131r | gild with gold leaf | Gold Leaf | |
116 | 105 | Molded wax | 131r | Pure Gold | ||
117 | 106 | When lead or tin casts fill with bubbles | 131v | compares tin with gold and silver is capricious | Pure Gold | |
118 | 107 | Mold made from two casts | 132r | if you cast with this method with gold and silver must cast twice | Pure Gold | |
119 | 108 | Crocum ferry | 132v | crocum is a friend of gold | Pure Gold | |
120 | 109 | Hard wax to imprinting seals | 133r | goldsmiths it is the wax that serves goldsmiths for modeling...see notes Rowen/Landsman for modeling on translation esbaucher | Goldsmith | |
121 | 110 | Casting the feet of small lizards in gold and silver | 133r | Pure Gold | ||
122 | 111 | Clamps and broken mold | 133r | Pure Gold | ||
123 | 112 | Sand made of crocum ferri | 134r | Pure Gold | ||
124 | 113 | To make gold fluid | 134v | Pure Gold | ||
125 | 114 | Casting big works with gold | 134v | Pure Gold | ||
126 | 115 | Secret for soldering small works made of gold and silver | 134v | SECRET! | Pure Gold | |
127 | 116 | Colors for gold, or sauce | 135r | Couleurs pour or ou Saulce | Ambigious Gold | |
128 | 117 | Softening gold | 135r | Pure Gold | ||
129 | 118 | Casting gold | 135v | good page for gold properties or rather well detailed description of the behavior of gold during casting | Pure Gold | |
130 | 119 | Enameling thin works | 135v/r | goldsmith | Goldsmith | |
131 | 120 | Latten casting | 136v | Mentions Germany here as well | Pure Gold | |
132 | 121 | Casting red copper | 137r | necessary for gold, silver, copper or brass to be perfectly red | Pure Gold | |
133 | 122 | Casting red copper | 137r | |||
134 | 123 | Gold casted very thinly | 138v | unalloyed pure gold can be cast into a medal but not into herbs and lizards or other very delicate things if it is not alloyed | Goldsmith | |
135 | 124 | Casting with lead and tin | 139r | Gold tool? | Pure Gold | |
136 | 125 | Casting wax to mold an animal that one has not got | 139v | Pure Gold | ||
137 | 126 | Casting a crayfish | 141r | goldsmiths cement | Goldsmith | |
138 | 127 | Cuttlefish bone | 145r | Pure Gold | ||
139 | 128 | Flowers | 145v | note - perhaps talk about how in casting they are always put together | Pure Gold | |
140 | 129 | Casting with copper alloyed with "silver" which is like very low solder and ard...es and ol K and some Re out of xii | 147v | league' - doesnt mention gold specifically but mentions a league which contains gold | Pure Gold | |
141 | 130 | Latten casting | 147v | calamine: See Cotgrave: "a certain yellow mineral substance, which fire consumes but melts not, that looks like gold; also the heavier soil of brass, or copper, which comes out of the sparkles and smoke that arise from the furnace and cleave to the roof and upper sides of the house , wherein it has melted." | Gold Color | |
142 | 131 | Gold of lesser quality from Germany Electre | 149r | the quality of the gold also the adverse effects of lower quality. rather than being beneficial healthwise it is poison; also, electre See Cotgrave: "amber whereof beads, and bracelets are made, also, a mixture of gold, copper, and 1/5 part of silver." | Pure Gold | |
143 | 132 | Molding vases in several pieces | 149v | goldsmiths | Goldsmith | |
144 | 133 | Moulding the hollow part of a mold for seals or other things | 153r | Pure Gold | ||
145 | 134 | Softening gold | 153v | removing gold | ||
146 | 135 | 154r | see notes on color doc | Goldsmith | ||
147 | 136 | Casting silver | 154v | comparing silver to gold | Pure Gold | |
148 | 137 | Rose | 155v | How to mold flowers, paint them or to cast them in gold or silver | Pure Gold | |
149 | 138 | Quickly molding and reducing a relief to hollow mold | 156r | Using bread to make a quick mold | Pure Gold | |
150 | 139 | Work of gold, very light and hollow | 156r | This is essentially a repeated recipe from above (119v_2) | Gold Leaf | |
151 | 140 | Molding a fly | 156v | Pure Gold | ||
152 | 141 | The mode in which goldsmiths mold hollow molds | 157r | bright reds, goldsmiths | Goldsmith | |
153 | 142 | Fish glue | 159r | Pure Gold | ||
154 | 143 | Fine work made of gold or silver | 160v | More of a technique explanation than a recipe to follow | Pure Gold | |
155 | 144 | Preparing sand for box molds | 161r | Mentions the 'gip' that one uses to gilt burnished gold. Gold not an ingredient | Gold Leaf | |
156 | 145 | Gold vases | 162r | note near a note on herodotus. Unclear what the relationship is. | Pure Gold | |
157 | 146 | Blowing | 164r | smelting gold dont blow too hard or with force | Pure Gold | |
158 | 147 | Dragonsblood | 165r | imitate lacquer | Gold Leaf | |
159 | 148 | Softening gold | 166v | dissolve caput mortuum in distilled vinegar | ||
160 | 149 | Improve the color of gold | 166v | This may be a nice one for comparison to the effect of gold | Gold Color | |
161 | 150 | Enameling thin gold | 169r | Just in a list, I think this is sort of like an incomplete or beginning table of contents. or maybe its recipes he still plans to record? | Gold Leaf |