NAME: Jef Palframan and Giulia Chiostrini
DATE AND TIME:
LOCATION: Chandler Hall 260, Columbia University - New York, NY
SUBJECT: Annotation Experimentation - 80v: Casters of Small Tin Things
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Conditions:
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Approx. 67°, no air movement, 45% humidity.
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Equipment:
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Needle Precision Files:
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Power Drill: Plastic. Not early modern. Used to mix the plaster of paris and pour into the clay moldings. No anticipated negative effect on authenticity.
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: Used to move the clay casings around the lab sue to space limitations. No anticipated negative effect on authenticity.
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Rolling Pin: Used to manipulate modeling clay. No anticipated negative effect on authenticity.
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Linen: Used to roll out modeling clay. No anticipated effect on authenticity.
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Painting Knife: Used to manipulate modeling clay. No anticipated effect on authenticity.
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Battery Powered Wax Pen: Not an early modern instrument. Used primarily out of safety concerns. An ideal instrument would have been a painting knife heated by a candle or other open flame, however the effect on authenticity in this case is minimal.
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Materials:
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Limestone: Locally purchased. No anticipated negative effect on authenticity.
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Soapstone: Locally purchased. No anticipated negative effect on authenticity.
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Tin/Lead Alloy: 50%/50%. No anticipated negative effect on authenticity.
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Tallow: Primary material in molds. No anticipated negative effect on authenticity.
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Ground Vine Charcoal: No anticipated negative effect on authenticity.
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Calcined Oyster Shells (Slaked): No anticipated negative effect on authenticity.
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Calcined Limestone (Quicklime & Slaked-lime):
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Discussion on Procedure:
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The primary recipe for this annotation is 80v - Casters of Small tin things