Name

Semester and Year

Sahar Bostock

Fall 2018

Entry ID and heading

015v Tablets

Link to folio page GD folder

https://docs.google.com/document/d/1pYaBjPARTsbbiR3uzIYdxzukxkRi_9jPcF-2KyC-s0A/edit?usp=sharing 

Link to “Annotation Plans”

https://docs.google.com/document/d/1TA6CpsBSczAn4AoRnKZDDqolK-SjIKPSZhqnespWkMc/edit?usp=sharing 

  1. Brief overview/description of your reconstruction (a few sentences at most)

- ground 2: bone ash + rabbit skin glue.

- In addition, each substrate would have a piece with no ground.

  1. Main safety and hazard considerations (Fire? Toxicity? Reaction?)

  1. Materials

(Ordered from https://www.lawrence.co.uk/product/boxwood-block )

We cut the block to two (see below), the thickness of one is ~9 mm , the other is ~ 11 mm

Materials from the lab inventory:

Paper, BHC 50/50/2 (50% hemp, 50% unbleached cotton), University of Iowa Center for the Book (TALAS) (from the lab inventory) unsized.

Others:

  1. Tools and equipment

  1. Workstation setup (Where will you work? How will your workstation be prepared?)

A hot plate would be placed in the fume hood. A thermometer would be next to the hot plate. A pot filled with water would be ready next to the hot plate to be used as a bain marie.
I will organize all tools (above) in the fume hood according to the work outline.

  1. Outline of your experiment (Describe all steps in your workflow)

Preparations:

Clean the panel with water. Prepare newspapers as a base, on the lab bench. Rub one side of the boxwood with cuttlefish bone to smooth it. Let it dry in the fume hood. Throw cuttlefish bone ash and newspaper to solid waste non-hazardous.

Prepare ground 1:  based on Cennini’s recipe (sources for recipes)

Test consistency:

Prepare support with ground 1:

Prepare ground 2: based on Alcherius’s recipe with modifications according to reconstruction made this summer see metalpoint workshop

Prepare support with ground 2:

After it is dry - test with one of the metalpoints (following Alcherius’s recipe).

If black marks remain - it’s ready.

If not:

Writing/drawing:

“run the style over the little panel so lightly that you can hardly make out what you first start to do; strengthening your strokes little by little, going back many times to produce the shadows. And the darker you want to make the shadows in the accents, the more times you go back to them;” (p. 5)

How to divide the boxwood blocks:

Keep track of the results in this table:

write with/ on

pure silver

sterling silver

boxwood ground 1

(bone ash + saliva)

I rubbed the silver piece with pressure and it made lines.

At first I thought that the lines that it made only removed some of the ground, or scratched the boxwood. When I rubbed the wider side of the silver piece and used more power it managed to leave more significant marks.

boxwood ground 2

(bone ash + RSG)

I managed to draw lines and to write the word silver. I had to go over the same lines a few times to make it visible on top of the white ground.

I managed to make lines but they seem very very fine.

boxwood

no ground

it was much more difficult to draw on it than the other no-ground boxwood piece. I managed to make lines.

The lines seem like scratches. They weren’t very visible.

boxwood - no ground, washed and rubbed with cuttlefish bone

I managed to draw fine lines. I could also make a wider mark by pressing the silver harder to the boxwood and rubbing it repeatedly.

I managed to draw circles, quite visible.

paper ground 1

visible lines

have lines, mostly look like scratches.

paper ground 2

visible lines and circles

visible lines

paper

no ground

managed to make lines! had to use force, lines were very thin, needed to look through breaking light to see silver and not only scratches

was much more difficult to leave marks, looked like scratches, only a lot of pressure left a little bit of color.

parchment ground 1

visible lines and circles

finer lines

parchment ground 2

visible lines, drawn very easily

visible lines, drawn very easily, even a little better than pure silver.

parchment no ground

managed to draw lines on the smooth side of the parchment, the fuzzy side was only scratched

managed to draw lines on the smooth side of the parchment, the fuzzy side was only scratched

General observations:

The sterling silver was more similar to a stylus, having a sharp point at one edge, and a little wider point in the other end. Using the pointy edge left mainly fine lines that seemed like scratches. The wider edge was easier to use. The pure silver was a round chunk of silver. Using neither of the metals felt like drawing with a pencil. I found that I need to use a lot of pressure to draw lines with both the sterling silver piece and the pure silver piece.

Don’t forget to take pictures before erasing!

Keep track here:

erase with/ from

cuttlefish bone

bread

boxwood ground 1

erased perfectly. left white particles - cuttlefish powder

wiped the ground, left a little mark of the lines, I had to use a lot of force to erase the lines and still didn’t manage completely

boxwood ground 2

erased well the lines and the word silver. left most of the ground, or at least white coating (might be the cuttlefish)

left marks and lines although removed some of the ground

boxwood

no ground

N/A

erased everything perfectly!!!

boxwood no ground, washed and rubbed with cuttlefish bone

erased everything perfectly!!!

N/A

paper ground 1

erased very well, left some white ground

erased very well, left some white ground

paper ground 2

did not manage to remove most of the lines

removed more than the cuttlefish bone, but still not perfectly.

paper

no ground

erased very well, left some scratches from the cuttlefish bone itself

erased perfectly

parchment ground 1

erased the silver, but the lines are visible as scratches

erased the silver, but the lines are visible as scratches

parchment ground 2

did not manage to erase very well the silver lines

did not manage to erase very well the silver lines

parchment no ground

erased the silver, but the lines are visible as scratches

erased the silver, but the lines are visible as scratches


  1. Waste management


MSDS information

Material 1

Bone Ash

Hazard statements, flashpoints, combustion points, interactions, etc.

Hazard Statements:

Safety precautions

Precautionary statements - Prevention

Precautionary statements - Response

Waste management

Material 2

Langridge Rabbit Skin Glue

Hazard statements, flashpoints, combustion points, interactions, etc.

Safety precautions

Waste management

Material 3

Copper

Hazard statements, flashpoints, combustion points, interactions, etc.

Safety precautions

Waste management

Material 4

Lead

Hazard statements, flashpoints, combustion points, interactions, etc.

Safety precautions

Waste management


[1] Since bread is not part of the entry in the manuscript, it is only examined as an additional erasing method, I will not investigate the kind of bread, but use homemade bread (homemade with bread machine, ingredients: water, coconut oil, brown sugar, salt, whole wheat flour, whole rye flour, white flour, yeasts).